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WOW - One of 17 Writers to Watch in 2017

11 August 2017

According to CBC Books. I can't believe the fantastic company I'm keeping on this list, and am making a trip to my local bookshop ASAP to grab some of these before I'm away back to the UK.

My summer holiday has been quite action-packed as far as book-related things go. I dropped by House of Anansi yesterday, and saw my book The Last Wave right there in their shop window when I arrived. This is seriously the best feeling ever. Signed a few books for them, and then spoke with swimmer and blogger extraordinaire Lindsay Zier-Vogel, I'll post a link to that interview on her blog once it's up. 

Have also spoken to a couple of other amazing folk, and will post those interviews as and when. Meantime, for a little video interview, please do check out Naomi Frisby's YouTube channel, and her review of my book on her blog The Writes Of Woman

 


Interviews, swim-terviews, and books on swimming

06 July 2017

There have been quite a few things going on in the press of late around The Last Wave, I'm pleased to report. All of them around swimming, too, which seems fitting given it's July!

Yesterday, the Guardian published my Top Ten Books on Swimming. Check it out if you're looking for your next great swimming read. "Swimming and reading have a lot in common: both are solitary pursuits, escapes into different worlds and different kinds of freedom. Some of the swimmers below are chasing bodily liberation in the water; others want to escape their dry-land lives or to recover lost memories."

I was interviewed for the Outdoor Swimming Society about my book and how swimming and writing related to one another in my life. Actually, it wasn't quite an interview - it was a swim-terview, which was brilliant. Ella Foote and I met at the Oasis pool in central London to have a chat and a swim. 

And finally, I was interviewed by Bristol 24/7 about the themes that are brought up in The Last Wave: dementia and cancer, as well as swimming, writing, and life in Bristol. Here's a little taste: Swimming is thinking time for me. With my cap, goggles and ear plugs, it gives me a chance to work out whatever’s on my mind. There’s a rhythm to swimming that I find really helpful if I get stuck in my writing. The rhythm of breathing and counting strokes puts you in an almost trance-like frame of mind.


Friendly Review

03 June 2017

A dear friend of mine, who I met when I lived in London the first time, came along to my book launch at Pages of Hackney. It's been years since we've seen each other and it was lovely to see him again. Even lovelier was the email he sent me after reading The Last Wave. 

He was kind enough to write his email into a little review which I'll paste below, that can also be found on his blog preterpunctuality.

Dr Ben Pestell's thoughts on The Last Wave:

To ‘Pages of Hackney’ last month for a book launch. Pages is a great small independent bookshop I’d not visited before (it opened around the time I left London), with a lively programme of events and extensive second-hand department in the basement. The launch was held in the basement, where I found myself sat next to a display cabinet of pulp erotica. A couple of boxes of LPs were in another corner, and there was so much wine that bottles were stacked up the stairs.

The launch was for The Last Wave, the debut novel by Gillian Best. It centres on the life of Martha, told through the alternating first-person narratives of her family, neighbour, and Martha herself, jumping across time, non-chronologically, from her childhood, and resolving in a symbolic doubling involving her granddaughter.

The opening chapter is set towards the end of the story, boldly breaking the narrative arc by revealing the story’s trajectory, thus placing the novel’s emphasis on individual moments in a family’s life. As each chapter changes voices through the book, we are brought into lives which contain some joy and plenty of regret, and I had a better time with some members of the family than others. I was most won over by the granddaughter, Myrtle, whose combination of drive and wit optimistically counterbalanced the anxieties of adulthood.

The novel is weighted by what one might think of as hot topics for a newspaper: not just Alzheimer’s, but also cancer! Not just post-war sexual repression, but also twenty-first century lesbian coming out! But Best deals with delicate themes authoritatively, avoiding crassness, and with some subtly powerful detail, as in a quiet observation of death’s bureaucracy. When siblings Harriet and Iain are shown a catalogue of cremation urns, Harriet’s thoughts turn unexpectedly to the copy-writer: ‘I thought about the person who had had to write the copy for the brochure, to quietly and sombrely extol the virtues of a gold-plated urn over a simple and understated china white urn. […] It was absurd’ (283-84).

The sea, specifically the English Channel, provides a persistent backdrop for the book, whoever the narrator, and whatever the time-period. Martha derives spiritual strength from the sea, but this remains elusive to those around her, and the sea stops short of taking on the archetypal or transcendental status of a character itself. Yet the book begins with an archetypal image, introducing a terrifically tense opening chapter inside the mind of Martha’s husband. John reaches out for the absent Martha in their bed, her whereabouts unknown. This is a motif that goes back to the ancients: Menelaus does it to the absent Helen in Aeschylus’s Agamemnon (424-5); more recently, Mr Ramsay does it in Woolf’s To The Lighthouse (Time Passes §3). Best takes this image and embellishes it with items from the world she has created – the sand, the seabed – making it resonate freshly.

 


Necessary Fiction

19 May 2017

I was invited by the good folk at Necessary Fiction to write an article about the research I did for my novel, The Last Wave. Perhaps disappointingly for some readers, most of it was researched in my imaginations - it's fiction and it's made up - which to me is the fun part. 

That's not to say there was no research at all - to learn what I did investigate, check out the article.

Thanks again to Necessary Fiction for their interest!


In the press...

02 May 2017

In the past couple of weeks, I've been very fortunate to have been interviewed by Jo Duncan on her blog, and to have been asked to write an article for Female First on some of the themes that are in my novel The Last Wave.

In the interview with Jo on her blog The Write Way, we talk about how to write for the modern audience, and what makes great writing, from my perspective anyhow! 

For Female First, I write about how I approached the themes of cancer and dementia in my novel. 

 


Launch | Pages of Hackney, London | 4 May

24 April 2017

If you live in London, I would be delighted to see you at the London launch for my novel, The Last Wave. 

Pages of Hackney will be hosting it - a fantastic bookshop!

Details:
May 4 @ 7:00 pm - 9:00 pm
Pages of Hackney, 70 Lower Clapton Road
London, E5 0RN United Kingdom

Hope to see you there!!


Interview with Georgey Spanswick, BBC Local Radio

24 April 2017

My novel, The Last Wave, features a woman who is an incredibly accomplished Channel swimmer, so it felt completely natural to have a bit of a chat with Georgey Spanswick on her radio programme. 

If you're interested in listening, it starts from 44.20 here

Enjoy!


Launch | Spike Island, Bristol | 20 April

Launch | Spike Island, Bristol | 20 April

23 March 2017

If you live in the Bristol area, please come along to a little launch event for my book The Last Wave at Spike Island on 20 April, 6.30 - 8pm.

You'll be amongst the first to have a chance to purchase the novel!

There will be a short talk, a bit of a reading, some Qs, maybe some And a bit of mingling, some chat... it'll be lovely and won't be the same without you. 

 


Cover artwork

Cover artwork

07 March 2017

I love this cover. It's not how I pictured it in my mind when I was writing it, it's way better. This jumps out at you - so much so that some friends I've shown it to are asking for posters.

The good folks at House of Anansi commissioned it for the Canadian/US cover. But my UK publisher, Freight Books have scrapped their cover art to use it because it's so freaking beautiful.